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Opening Reception of Saffron Notes: Paintings of South Asian Women. A Solo Exhibition by Piya Samant

December 16, 2022 @ 5:00 am - December 17, 2022 @ 4:59 am

You are invited to the opening reception of Saffron Notes. An exhibition featuring featuring oil paintings of South Asian women by visual artist Piya Samant. There will be refreshments, and a cash bar. This event is free and open to the public. This project is funded by a Worcester Arts Council and Mass Cultural Council grant. #wacfunded

Exhibition runs : December 7 – 21, 2022.

The 'Saffron Notes' Story

For centuries, western artists have celebrated women by portraying them as beautiful, powerful, and sometimes as nobility. Few parallels exist for South Asian women because we often think of them as playing their assigned roles in society. They have been captured as doting mothers, loyal wives, goddesses in temples, and homemakers performing chores. Seldom does the art world see them as a muse and capture their beauty for who they are, independent of their role in society.

This collection attempts to portray South Asian women in their ephemeral moments of solitude, beauty, and thoughts of self-worth, free from societal burdens. — Piya Samant

Let’s Connect: Instagram: @art.by.piyali
Facebook: @artbypiyali | TikTok: @piyasamant | Website: https://www.artbypiyali.com/

Artist Bio: Born and raised in India, Piya Samant now lives and paints in the awe-inspiring New England region, USA. After pursuing a career in Technology, she picked up the brush again in 2014 and commenced her full-time art practice.  Piya’s paintings are characterized by colorful, light-filled canvases in a painterly style. Her work is exhibited in museums and galleries across USA. As a self-taught artist, Piya has learned art techniques by observing artworks of Master artists. She is represented by PXPContemporary and ArtsPlus galleries.

In 2022, Piya received a WCC/ Mass Cultural State grant to further her painting endeavors.

​​​​​​​​​​​​Artist Statement: 'Beauty is fleeting and my desire to capture the beauty of life (be it human, flora or fauna) is irresistable. I connect with people's body language more than their words. Through painting I attempt to immortalize the beauty of my subjects in their entirety; not just their face and body but also their character. Floral stilllifes are a delight to paint because I am able to project emotions onto unsuspecting flowers through the play of light and strategically placed brushstrokes.'

Wopɛsɛ wo hunu Nwuamdie pii?

Sɛ wo hunu nwumadie no nyinaa a ɛwɔ Worcester beaeɛ ɛfiri yɛn ayɔnkofoɔ a yɛ gye wɔn di hɔ, mia hae.

 

Wo re yɛ Nhyehyɛe wo Kuropɔn Dwumadie ho?

Hwehwɛ nwumadie ma ne asom a ayɛ krado ma wo hae

Wo hia mmoa de wo dwumadie ama yɛn nwumadie abunna nhoma no?

  1. FHyehyɛ nkratoɔ no wɔ Brɔfo mu fa yɛ Dabrɛ na mia Yɛ Dabrɛ
  2. Ɛbɛ kyerɛ wo kwan akɔ krataafa a wo bɛtumi de wo nwumadie ato hɔ
  3. Toto Me Nwumadie na wura nwumadie ɛwɔ abunna nhoma no mu
  4. Mia Di Dwumadie amiadeɛ no so
  5. Bɔ din nonter the name wɔ Brɔfo mu ɛne nna a wode bɛdi wo dwumadie no na yi Di Dwumadie no & na Toaso
  6. Fa dwumadie no nyinaa ho nsɛm ka ho wɔ Brɔfo mu ɛne mfonin ɛwɔ 690 mfonintwa afidie mu
  7. Sɛ wo wie a, hwɛ adaka noa ɛre kasɛ Abisadeɛ a ɛkaho wɔ Kuropɔn Worcester Abunna Nhoma no
  8. Mia Mane na Yɛn nyɛ Nhwehwɛmu no so

Nwumadie a wo de ato hɔ no nyinaa no Discover Central Massachusetts foɔ no bɛ hwehwɛ mu na Kuropɔn Worcester Dwadie Mpuntuo Mansini adwumayɛfoɔ no adikan agye atom. Mesrɛ wo fa wo nwumadie no bra anyɛ koraa no nnaawɔtwe mmienu ntɛm sɛdeɛ ɛbɛyɛ a dwumadie no bɛtumi apue yɛn nwumadie abunna nhoma no so wɔ nna nsonn de kɔsi nna nkronn akyi. Mesrɛ wo dwumadie nhwehwɛmu nhwɛsoɔ no WƆ HAE.